fit

by Jose on February 2nd, 2010

Some days I just don’t seem to fit in anywhere. Some days I am all angles and elbows and finding a space, a comfortable, welcoming space, just isn’t possible.

I seem to be having a lot of those days lately.

Some days I would just love to slough off my existence, slip away into the proverbial night, itinerant and self-sufficient.

Just my feet, my backpack, netbook, camera, some clothes and a book or two. And the world. The whole, wide, open world. Yes, that sounds good. I think, maybe, then, some day, one day, I may just fit.

perspective

by Jose on January 28th, 2010

“Jay.”

I look up, the sweat pouring down me. I don’t think I have ever been this tired, and after the last few days that is saying something.

Hori’s face beams down at me, friendly, open, touched with a hint of concern.

“I’m fine.” I gasp, and with a look of faint disbelief he walks onwards and upwards. Weighed down with my pack, I follow him up the steep incline, the pain a repetitive unrelenting thrum in my body. In my misery and exertion I am blind to the glorious view, to the scents and sounds around me. There is only the struggle upwards.

At the top I am rewarded by several items of note, not least the cessation of an almost eternal battle against gravity. The view stretches out in front of me, the valley up towards Kyanjin, the far point of the trek upon which we are on. We are standing beside a small inn/restaurant, its existence in the middle of nowhere in the less traveled sections of the Himalayas no longer the source of bemusement it would have been before. A can of coke and two snickers bars await and are consumed with a relish I had not expected. Behind me the view is even more spectacular, mountains puncturing the sky with an indifferent elegance.

I amble about a bit, thankful to be walking without the weight of my pack, burdened only by one of my cameras. Bushes border the small building, blooms of intense red spotting their deep greenery. I take my camera to them, firing off a couple of shots, conscious of the constraints of being able to carry only so much film. I admire the flowers and lean in to smell them.

Intrigued by my hapless fits of the giggles, my companions wander over, questions in their eyes.

I turn to them, grinning broadly, all the tiredness of the day dispelled.

“They’re tied on. They’re not real!”

***

When I was younger I used to suffer bouts of rage and depression, often triggered by the simplest and most innocuous of things. They were not the external kind, those flashes of tempestuous temper that are brief and then forgotten, like my father’s. Nor where they the slow burning, long lasting rumbling earthquakes that were my mother’s. No, mine were the unfortunate blending of both, dark moods of unfathomable emnity, long lasting until they eventually dissipated into nothingness.

It took me a long time to learn to control them, and it wouldn’t have happened without the help of one friend, who, one day, despite warnings from colleagues, walked through the cloud of my depression and anger and obstinate iciness, stood before me and with her thumbs wiped away the furrowed lines from my brow, smoothing them into nothingness.

“I don’t like those. What’s wrong?”

With that simple act the moods were broken, their seeming control over my life undone by another’s moment of direct kindness, a gradual decline towards normality.

***

“And what am I?” I asked, the sun warm on my face, my body tired but able. The mountains are incredible, but like humanity everywhere, the magnificent verge on the mundane with continuous exposure.

Hori looks at me.

We are on a rest stop, half-way up a ridge, half-covered by trees, a semi-brutal ascent on another leg of the trek. Hori has been playing tunes on two blades of grass, a delightfully engaging melody from an unbelievably talented young man. In between tunes he has narrated the story of one of the incomprehensible and very long hindi songs he had been listening to the night before.

He considers for a moment longer, frowning.

“Himal baloo.”

“Himal baloo? Mountain bear? Why?”

“Because, Jay, himal baloo does not like going up.”

***

The moods still exist, occasionally swaggering into existence with their old affrontery, although they are no longer the force they once were, so rare and fleeting are their visits.

I look back sometimes, wondering what I would have turned into, without that moment. Would another have come in and, through some other act, done something similar? I don’t know.

It is difficult to describe depression, so often sumptiously adorned with despair and anger as it is. They are words that so ineffectually hint at the the utter darkness one finds oneself in. It is all-encompassing, haranguing you and insinuating itself into every facet of your existence, a sibilant subtle seductress so hard to ignore. One moment you are fine and then the next… the world is darker, scarier, grimmer place.

***

It is the middle of the night and it is bitterly cold. Nature calls and I slough myself of my sleeping bag, clothes and the all important down jacket donned.

It had been another glorious day, a long walk up from Sing Gompa towards Laurebina Yak, with the glittering sacred lakes of Gosainkundu beyond. We had walked through the rhododendron forests, climbing steadily in the sunlight, days of walking making the task that little bit less effortful. My pack was still heavy, stuffed with clothes, equipment, and the paraphernalia of a photographer.

Ten minutes later I was buried within my cold and wet weather gear, the mother of all hail storms savaging the world around us. Before long I was crunching over inches of hailstones, the vibrant colourful world reduced to the darkness of my hood, the atrophied grey and white of a white-out, the wind and hail pinging hard against me, bruising me with its ferocity.

I marched on, following Hori as he continued along the path, breathing more easily as, slowly and reluctantly, the hail turned to snow, the storm gentled and calmed and the world was bathed in white. The lodges of Laurebina Yak were a comfort when they came into sight, the snowfall stopping as we approached.

Inside were the welcome of a cup of hot tea and hot food, and tomorrow heralded decisions to be made about the rest of the trek, our journey through Gosainkundu towards Kathmandu in doubt with the weather so bad.

***

I remember the feelings of depression, in the way I remember the flavours of a favoured meal. they are distinct in an unreal way, their sharpness and subtleties lost to time, the memory remaining only of the fact that they had been sharp and subtle. This distant from it, with only the meagre ghosts of those emotions to hand, I am no longer so troubled by what once was.

There are days when I  sometimes feel like I am on a familiar path, when the black moods threaten and tiredness, despair and loss threaten. There are days when I feel teary for no reason, when my anger sparks and roils ever so briefly, when I suddenly find myself with the memory of a cloud above me. And those days I push back hard, mostly succeeding, sometimes stalemating, occasionally failing.

I don’t want to walk those paths again, but like many things, once you know the way you have to guard yourself against it. I wonder often where I would be today, what road or path I would have taken without the intervention of someone special, who stepped in at just the right moment, and against such improbable odds, did the right thing, said the right words in just the right way.

***

I stumble outside, approaching the toilet shack which, like most of the toilets in these mountains, is a simple wooden structure perched on the edge of the mountain. The snow is deep and crisp and I have to force the door open.

When I re-emerge I notice the air is remarkably still and calm. The sky is empty, encased in a glittering curtain of eternity. The mountains are snow-covered, serene and breathtaking in the brightness of the night, a sea of white peaks that stretches off beyond my eyes’ ken.

I stand there, staring out into that vast space, looking out onto mountains beautiful beyond words, and I am completely alone, a singular witness to something indescribable, and for that single eternal moment, nothing matters more than this.

change

by Jose on January 17th, 2010

I was watching a documentary the other day on BBC2, focussing on the campaigners and behind the scenes activities during Obama’s campaign to become, first of all, the Democratic Presidential Candidate and then the President itself.

Like many people I am struck by Obama, invigorated by hope and by interest. Whatever you think of his politics it is more than clear that the man is a beacon of inspiration, whether it is, as above, hope, ambition, compassion or even dislike and hatred. The man epitomises hope and inspiration. The images of the long waiting lines at the polling stations, the devotion, fortitude and creativity inspired in his campaigners, and finally the strength of character and rediscovered self-belief amongst the most down-trodden of America’s citizens is something to behold indeed. His rhetoric, his message of change and hope coupled with his almost magnetic charisma that reeks of honesty and strength of purpose is a potent combination.

This is a man of conviction who has the personality, the ability and the strength to walk his path. And yes, I believe.

And I despair.

I love Britain. I love the countryside, the cities, the history and the tradition. For the most part I love the people too, although they can be fickle, obstinate, crass and stupid. They can also be hugely compassionate, brave, strong and creative.

We deserve more.

The political parties, ignoring the mire they have got themselves into over expenses, are uniformly bland. Many MPs are hard working, caring, idealistic individuals, in the arena for the right reasons and doing their best. Many are not, seeking political power, self aggrandisement and self worth only. There is no one amongst them, that I have seen, who inspires in the way that Obama does.

The leadership of all parties are dreary caricatures of politicians. They lack purpose, they lack vision, they lack humanity. I don’t care about them enough to actively dislike them. I am merely disappointed in them. I am disappointed in party systems that suppresses those who might have something of value to say, that swamps those with ideas and energy and a real concern for the country with a wave of political lines and party rhetoric.

Here is a truth, a fact. I have not voted for the last eight years. I cannot bear to.

I care about my country, about my people, about everything around me. I get angry at the injustices of the world. The political process, and the parties there-in, do not, and cannot, represent me. Not even closely. The system is corrupted by its interminable navel-gazing, stiffened by the malaise of self-interest. I do not believe in parties and the policies of the people who would make themselves our ’servants’.

We are a country, despite all the great and wonderful things achieved and undertaken, that is sliding towards pettiness, towards a small-minded nihilistic meanness of spirit, untrusting of its populace, of its traditions, of itself. We are a country that has lost its passion and its creativity. Not at the grass-roots, but at the highest levels, and it saddens me, because this is not what I see in the people around me, day in, day out. They are, and always have been, something to behold.

There are days I cannot bear to watch the news, to witness how the government has failed, and continues to fail, its people. This government, the last, the future one. They will fail us in so many ways, because they are not brave, they are not audacious, they are not self-confident and they do not trust themselves. They do not trust me. They do not trust you.

I want an Obama. I want someone of his stature to raise the emotion and the self-respect of this nation and its people. I want someone with his conviction to inspire hope and dreams and determination. I want someone of his purpose, to cut through the fog of disillusionment and drag us with him or her.

I want what I cannot have.

I want to believe.

the 25th day (addendum)

by Jose on December 25th, 2009

I am suddenly aware that my last post was not the most, ah, happy, uplifting and joyous of posts for the occasion, which is very much a result of my being in a somewhat reflective mood more than anything.

So, to remedy this, I hope you are all having a fantastic holiday, whether or not you are Christian, practicing, or otherwise; whatever your race, creed, religion or philosophy. Enjoy the company of friends and family and special loved ones. Eat lots, indulge more, but please spare a thought or an action for those in the world less fortunate than yourself. Most of all, be content, be happy and be loved.

Wishing you all the best, on the 25th day of December, and hoping tomorrow’s hangover is a mild one, and the stomach ache well earned.

Jx

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the 25th day (and other stuff)

by Jose on December 25th, 2009

It is the 25th day of December. It is cold outside, the wind bitter and icy, the sky dark with night’s kiss. I sit inside, in the warmth, awaiting breakfast and lunch and a different type of day.

It is 24 days since I last posted on here, and I have found it difficult to do so since I wrote that last post. I have tried, several times. Five draft posts lie fallow, bereft and dry in the barren wilderness of my inspiration, tragic companions to the loss of my writing mojo.

The city outside exists in patchwork of bright lights and darkness, reflections abound, scintillating amidst the shadows, ghosts of a momentary reality. The world outside turns and people stir towards a new day, or sit in the midst of it, or approach the end. Sated, hungry, indifferent, empty of meaning, lost to commercialism, found in the heart of family, wrapped in faith and celebration and contemplation, shattered by the uncaring and malicious, existing, hoping to just make it to the end of the day. People live and breathe and die out there, lost to heat and cold, to darkness and loneliness. People live and breathe and dream out there, cocooned in happiness and joy, surrounded by those who matter most. People live and breathe and exist out there, untouched and unaware.

The 25th day.

A very odd day.

***

I stood mesmerised yesterday, watching ‘Out of Blue‘, a short film by Zarina Bhimji, a Ugandan photographer and film-maker. The room was darker than dark, the faint silhouettes of those sitting and leaning against muffled walls barely evident. The room was filled with a vast disturbing soundscape; voices and the aural detritus from the land of Africa providing a perfect counterpoint to the film thrown against the wall.

The barred window of a prison cell, pulling back from that brief glimpse of a blue sky, the ruined patina of the walls stained with long streaks of dried blood, the loud buzzing of flies overlaying the sussuration of faint voices.

A ruined doorway, panning across broken walls, shattered plaster, the light and movement from a bright day moving in the background.

A man stands, a black outline leaning against a cell door, the regular flick of his beating stick the only thing that proves that this is not a photograph.

An airport tower, abandoned and desolate, a succession of glass panes, punctuated by the unmistakable shape of bullet holes.

A village, green and hot, children running backward and forward in the light of the day.

Shattered buildings, ruined worlds, a battering ram of images masquerading as film, a soundtrack that disturbs and unnerves with each new vista.

***

In another part of the world my mother and my brother, his wife and sons, plus the extended family, all sit together for lunch, celebrating being together.

This the first time I will have spent this day apart from them. It feels odd and it would be dishonest of me to say that I did not miss them. I do.

***

I have a lot to write, and I haven’t cared to these last few days.

My NaNoWriMo novel stands a third done, but I have replanned it, and now have a much stronger vision for it.

I have a short story to write for a flash fiction competition – 275 words for the Women on Writing website.

A short play has been started, abandoned and rethought – the Tobacco Factory’s Script Space competition the inspiration and target.

I still have posts and columns to write for the lovely isca media, iwalkdevon and Film and Fly; some drafts and synopsis written with much more to do.

Plus all the other projects floating around in my head.

All in all, a pretty busy 2010 to come.

***

In another part of the institute is a wall covered in 6×4 photographs, spaced deliberately apart to allow you the opportunity to savour each individually.

These are ordinary photographs, sent from one person to another, sent with purpose and meaning and intent, and we cannot see them.

They are affixed to the wall, their backs exposed to the eye; covered in scrawls and messages and blotches, in ink or pencil, brief moments of stories to diverse to know. They are poignant, illegible, daft, surreal, functional, simple, joyous and sad. They are flip side of the tale, the explanation and the tell-all, mysterious codes and occasionally untouchable in meaning.

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a life full of regrets

by Jose on December 1st, 2009

A year ago today a very close friend of mine died. He died in a way both horrific and needless.

We were working together on a project one day, just chatting about stuff, and we clicked, and somehow, two people from different backgrounds, with different values and strengths became fast friends. He built two of my bikes for me, taught me more about walking in the hills than everyone else combined and was there when I needed him. And vice versa. I was there for him during the breakup of one relationship and the beginning of the relationship with she who would become his wife.

I hadn’t seen him or his wife for a year and a half prior to his death, and in truth, I had been avoiding them, something they never understood and I cannot begin to explain. Sometimes things just are, and nothing can excuse them.

But I regret it. I regret it with all my heart and all my soul. I thought I was doing the right thing and it turned out I wasn’t. I made a mistake and I utterly, completely regret it.

I regret many things. I regret a number of the actions I have undertaken. I regret the opportunities spurned in favour of that which was easier or less effortful. I regret some of the things I have thought and many of the things I have said. I regret those decisions of the past that constrain my life of the now.

Regret is part of life.

Yesterday I told a friend that she should take the opportunity given to her to travel, else she look back on her deathbed and regret not doing so. Today, whilst reading an excellent post about writing, writers and becoming one, the phrase resurfaced.

Sitting here, looking at this candle that reflects and commemorates the life of my friend, I realised something. My deathbed is too far away to have regrets. My deathbed is too final for me to recognise all that I have missed or done wrong by or failed in.

I need my regrets now, tumbling over each other in their eagerness to remind me not to end up looking at the candle, but to see its shape in my future. They are there to poke me and prod me into action; to apologise, to make amends, to curtail and to think again. They are the bedfellows of my conscience and my desires, of my hopes and of my dreams. They have a purpose beyond the prosaic.

I do not like having regrets, yet my life is full of them. When I was younger I was foolish and stupid and blind. When I was younger was only a moment ago. But I am working at it, trying to turn the regrets into reminders and lessons; taking on their message and making sure that the present me and the future me will always have less to be regretful for.

One candle in my life is more than enough to regret.

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detail

by Jose on November 20th, 2009

One of my greatest pleasures in life is noticing detail.

Have you ever been sitting at a table, drinking your coffee, biting into your cake, and just noticed the detail?

The simple but elegant working of the table leg.

The swirl on the icing of the carrot cake.

The hint of chocolate in the flavour of the coffee.

The pattern on the table cloth.

I once sat in a boat, in the middle of the Indian Ocean, for 15 minutes examining the chair I was seated upon. It was handmade (as was the boat). It was simple (as was the boat). Yet the maker, for no reason than that he or she could, had carved small, patterns into the chair, obscurely and without fanfare. The blue of the sky and the ocean was beyond beautiful, but the very human touch on the chair fascinated me.

The incomparable Taj Mahal, the countless temples of Bhaktapur and the immensity of the Sagrada Familia. Stand there, in awe at the creativity of humanity, drinking in the vista with eye and mind. Go in closer, until left with only the detail; the intricate and delicate carvings, the bombastic designs, the minute choices in the shade and colour of the marble and stone.

Details are often invisible, often disregarded and overlooked. Yet, for me, it is often these touches that speak more of the endeavour and creativity of the craftsmen and women involved, those countless small moments of inspiration that add up to something more.

So I try to remember the details within the whole, to run my eyes along the curve of this, the straight of that; to trace and race along patterns and carvings and painted lines; to feel beneath my fingertips the texture of stone or cloth or wood; to smell and taste all the subtleties amongst the entirety of the flavour; to hear the timbre of a bell, to listen to the flapping of prayer flags as their colours dance madly to the wind.

I like to think of these details, of the effort and care behind them, and of the natural ones, where the world has conspired to exhibit an endless ocean of detail, say, in something as ‘mundane’ as a field of grass. I like to think of the pleasure the craftsperson had in a job well done, whether it is the intricate frame of a window, or the little crunch of nuts in a muffin, or the haunting sound of an 1832 cello played well.

I like to hunt the detail, whether it is in my writing or in my photography. I love to find it, explore it, experience it. For me, detail is as important as the whole and always will be.

indiasmall

hard

by Jose on November 16th, 2009

I am well aware that my blog has languished a bit of late, particularly over the last two weeks.

There are reasons for this; namely a combination of my inherent laziness, said laziness being kicked into touch by the NaNoWriMo challenge, writing for isca media and iwalkdevon and various other factors too minor to mention (well, except the critical factor that I am all too often running out of cake).

The above, combined with the hell that is work, has run my creative and mental energies ragged, reducing them to mere shadows of themselves. They are concentrated elsewhere, and thus this little bolthole of mine languishes.

I can, however, say one thing. Writing is hard. It is not just sitting there and bashing out the words. It requires thought, more thought, planning, inspiration, creativity and plenty of mental energy. And masses and masses of self-discipline. Looking around the twitterverse and blogosphere will attest to this, many a writer, accomplished or otherwise, battling day by day to put enough words to paper. Hats off to you, I am only just beginning to understand the effort and cost of such endeavour.

This is the field I want to enter, this is the world that excites and interests me, that makes my day bearable. Like my other love, photography, there is nothing like crafting something you can be proud of, with care, attention and hard work. All artists, musicians, photographers, writers, dancers, etc live through it, the cycle of grind and graft, slowly shaping the end result, learning and adapting as they go.

This is where I am, somewhere near the beginning of this cycle, marching onwards with hope and determination (and cake) towards a goal that I can only just perceive and quantify.

It is difficult. It is frustrating. It is draining and painful and tedious. Yet it is also enlightening and enjoyable, full of discovery, full of learning and hope and creativity and energy. It is a perfectly formed microcosm of life, embracing all its problems and all its qualities.

 Despite it all, the ups and the downs, I aim to journey on, and regardless of recompense, learn my craft alongside my fellow journeymen and women, until one day I will be doing what I want to be doing, the way it should be done.

isca media

by Jose on November 2nd, 2009

I am extremely delighted to have been asked to join the creative family of isca media as one of their writer/bloggers.

iscamedia is a media and online publishing collective of  independent freelance journalists, writers, photographers and film-makers. They have a great philosophy and I am very much looking forward to working with some very talented people over the next few months.

isca media are also responsible for iwalkdevon, a lifestyle and arts website and the forthcoming magazine and website for Making Me, a charitable organisation whose aim is the raising of funds for rehabilitation Arts programmes for adults making a new life for themselves after confronting significant challenges. Also forthcoming is their new film magazine Film & Fly, launching in January 2010.

#nanowrimo – day 1

by Jose on November 1st, 2009

It is not yet 6am on Sunday 1st November 2009, and it is the first day of National Novel Writing Month (#nanowrimo).

I have a vat of delicious Ethiopian Sidamo coffee on the brew. I have music. I have the peace and quiet of the early morning. I have bread baking in the breadmaker behind me, ready to reward me in a few hours time for my efforts. The cat lies beside me on a chair, content to keep me company.

I have characters. I have a plot. I have the ability to do this.

How does it begin?

Ah, yes. With the very first words…

“The boy awoke to both light and darkness, to both warmth and cold.”